Acting

"What is that unforgettable line?" - Samuel Beckett

The Humans — Erik


Geva's production is an acting masterclass from all six performers, but the true titan is Skip Greer, who commands the stage from the moment he enters it. Greer is EVERYONE'S Dad; telling corny jokes, criticizing the crown molding, yapping about "the big game". And just when you think you have him figured out as the simple yet loveable patriarch he ratchets up the intensity, bears his soul and rips his heart out. He is astounding. Geva's THE HUMANS is equal parts, funny, heartwarming and raw. It's a once-in-a-generation show that will be in your head for days after the curtain drops.

-Colin Fleming-Stumpf, Broadway World

Skip Greer gives a richly textured performance, during the final scene, Erik Blake's revelation to his daughters about the monsters that eat away at him, you may find yourself holding your breath in suspense as Director Mark Cuddy and Skip Greer craft as finely an orchestrated denouement as you'll find in theatre.

-Carol Llewellyn, Beyond the Nest

As the patriarch, Erik, Skip Greer is excellent; he's a fractious man with limitations who wants to continue his commitment to the women in his family but recognizes his male power is on the decline.

-Marcia Morphy, Democrat and Chronicle

The issues raised in THE HUMANS are reminiscent of conversations every family has at some point—financial, age, health, career...Greer gives the performance of his career in the role of a loving-yet-haunted father. THE HUMANS is without a doubt the show to see this season.

-Leah Stacy, City Newspaper

To Kill a Mockingbird — Atticus Finch


The major player in this production is, of course Greer, who rose to the occasion in stepping into the iconic shoes of Gregory Peck's Oscar-winning film performance. His courtroom closing argument was impressive, but it was Greer's actions and mannerisms throughout the play that spoke much louder than his final words. When hugging his daughter, answering his son's tough questions, or sitting respectfully side-by-side next to his client, he demonstrated the kind of homespun decency that resonates throughout Harper Lee's novel: that it's always important to consider someone else's perspective and walk in their shoes before passing judgment.

-Democrat and Chronicle

Superior Donuts — Arthur Przybyszewski


There are moments in live theatre when you say to yourself "Yes, that's exactly right." It's when the characters become so alive, so real, so gut-wrenchingly honest - and yet so fun to watch - that they become embedded in your psyche and it's hard to say goodbye. Greer is in his element as he subtly catapults Arthur to down-home believability - slipping into his character like a well-fitted glove. In all the years that I've watched his performances at Geva, this is truly Greer's shining moment as an actor. SUPERIOR DONUTS is this season's powerhouse.

-Democrat and Chronicle

Skip Greer, Geva's Artist-in Residence, has DONUT'S leading role of Arthur, the doughnut shop owner, and he makes the most of it with a gritty, heartfelt performance The character's believability is found in both the long, carefree beard and ponytail he sports and the nuances of his tightly strung emotions and beliefs. DONUTS is situated on the Mamet landscape, with almost poetic profanity and the best extended fight scene I can recall seeing on stage.

-Jack Garner, Gannet Film & Theatre Critic

Our Town — Stage Manager


The omniscient Stage Manager helps you see the scenery and action. He sets each scene, weaving the audience and characters in, out and throughout the story. The role requires an actor with strength and confidence to win the audiences trust. Skip Greer has that, which makes him a warm spinner of tales. Such simplicity. Yet such a powerful tale.

-The Daily News

Skip Greer is the Stage Manager, the omnipresent spokesman who stands out of the action but is an all-seeing, all-knowing guide to New England life. And in Greer's hands, the role is a convincing characterization - honest, sincere and profound - a fine showcase for the actor's grace, precision and folksy charm.

-Democrat and Chronicle